Wednesday, July 23, 2008
Today, RWU is speaking to author of lighthearted contemporary romance, Gina Ardito. Gina's first book, The Bonds of Matri-money was published in February 2007 through Avalon Books. Her second, A Little Slice of Heaven, was recently released in e-format through The Wild Rose Press with a paperback slated for release in January 2009. For more information about Gina, visit her website. Be sure to stop by her blog before August 1 for the opportunity to win a free copy of her latest e-release. Check out the details on the Help A Redhead Out Contest here.

Q. Where are you from?

A. I'm a born and bred Long Islander, baybee! And no. Despite the way Hollywood sometimes treats us, we don't all talk with Brooklyn or Queens accents. There is a difference!

Q. Tell us a bit about your family.

A. I was the ultimate middle child. I grew up with two much older sisters, two much older brothers, and twin younger sisters. I always felt lost in the crowd growing up, which is probably why so many of my heroines have that trait. So I spent a lot of time on my own and was a voracious reader. My parents had the entire collection of Readers' Digest Condensed Books and I ate up classics like The Count of Monte Cristo and The Scarlet Pimpernel. Even then, I loved the big sweeping historical romances.
Now, however, I'm married for the last twenty-plus years to my best friend, I have two fantastic children, a bionic dog, a cat with a foot fetish and a recently acquired skitten. These days, I'm the center of the crowd, and while it's often exhausting work, I wouldn't trade my own personal chaos for any other life!

Q. When and why did you begin writing?

A. When I was in first grade I had to produce a play with my classmates as performers. The play my teacher assigned me had a hero who had to kiss the heroine at the end. Needless to say, no six year old boy was willing to kiss a girl, even for the starring role. But my teacher told me, as producer, I had to get the play done, no matter what it took. So I rewrote the play, added a dragon that kills the hero and suddenly, everyone wanted the role of hero or dragon. Even boys in other classes lined up to participate! From then on, I knew I wanted to be a writer.

Q. How long does it take you to write a book?

A. It depends upon the book and the amount of research I have to do. Some books flow so easily from my fingers to the keyboard that I can finish 300 pages or so in a few months. Of course, those are the writing jags where the kids eat frozen pizza and wear dirty clothes for a few weeks. And even when I stumble into bed at night, I don't stay there. The book (or my muse, Gertrude) keeps talking to me until I finally get up and head back to the computer to write "...just one more chapter."
Other books can take six months or more, and allow my family the opportunity to actually see me dressed and focused on them for minutes at a time.
I'm constantly editing as I write so it may take me a while to move from one chapter to the next. But the benefit to this madness is that when I finally type The End, I've got a completed manuscript that needs few revisions before I send it out.

Q. Do you ever suffer writer's block? If so, what do you do about it?

A. I do, occasionally go through a dry spell. The first time it happened, I wondered why my muse had abandoned me and how I could get her back. That's when I realized I'd never given her a name. It's hard to call someone back to your side when you haven't bothered to name them in the first place. I opted for Gertrude (Don't ask me why; I have no idea...except maybe it's because it was a name that held no special significance to me--I'd never known a Gertrude so would have no preconceived notions, and I doubted the name would ever show up in one of my books.) Sometimes, Gertrude takes off for a while, but these days, I don't panic. I read, do word puzzles, take a little downtime, catch up on movies and television shows I've missed. Sometimes I even (cringe!) clean the house. Before long, Gertrude and I are in synch again and we're pounding the keys for a new story.


Q. What advice would you give to writers just starting out?

A. Absorb everything you can! Read and write every single day. Join a critique group and a writing group. Don't be afraid of criticism.
Writing is like skiing. No one walks into this business a professional. You want to learn how, you have to start on the bunny slope. And you're never perfect. Even the experts fall occasionally. No matter how many books you've written, keep learning. There's always a new technique, a new idea, a new challenge around the corner.
Most of all, though, believe in yourself and don't give up!

Q. Which is your favorite of the books you've written?

A. Every book is my favorite while I'm writing it. I'm totally in love with my latest WIP, a romantic comedy set in the Afterlife. It's a little dark, a little quirky, and I'm really excited about my main characters. Last month when I was working on revisions to four other manuscripts, I'd find myself re-reading the entire story for each one and thinking, "Oh, my God. This is sooooo good!" You have to allow for a certain amount of ego in this business. Between rejections and critics, you can get pretty banged up. Be your own number one fan (even moreso than your mom).

Q. If you had to choose, which writer would you consider a mentor?

A. I actually have two: Bertrice Small and Nora Roberts. Both ladies are successful in the field, with an endless supply of business savvy. They're both extremely generous to their fans, and always conduct themselves with decorum. I'm a disciple of WWND (What Would Nora Do?). But before Nora, there was Bertrice, the idol of my youth. I'm fortunate to know Bertrice personally and I'm still tickled every time her name pops up on my Caller ID. I've been reading her since my teen years! (And I'm determined to have her adopt me one day. All she has to do is sign on the dotted line. Come on, Bertrice. We can make this work!)

Q. Do you see writing as a long- or short-term career?

A. I am definitely in this for the long haul! Each book I write, I feel my skills grow stronger. And as time goes by, the genre itself changes. I can't wait to see what we'll all be reading ten years from now.

Q. What is romantic to you?

A. I'm a hopelessly romantic sap. I love roses for no reason (even from one of those roadside stands), dancing to special songs, finding greeting cards when I least expect them, movies where the hero does something extraordinary for the heroine, watching a sunset with a glass of wine, and all that sentimental guff. I'll allow you a moment now to reach for the Pepto Bismol before continuing this interview...

Q. Is there a message in your novels that you want readers to grasp?

A. You know, I once attended a workshop on Theme. And I discovered I often come back to the same ideals over and over again. For me, it's about the power of love. Love is our creation, our inspiration, and our salvation. Despite the opposable thumb theory, love is what truly makes us human. Do I really need to tell my readers to grasp that? Somehow I doubt it. But the message is there, nonetheless.

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posted by Gina Ardito aka Katherine Brandon at 5:18 AM | 8 comments
Sunday, March 9, 2008
I've been thinking a lot the past few days about written identity vs. our real selves. Many of my critique partners will tell you I go bat-crazy when someone messes with my voice. Why? Because my voice on the page reflects the real me struggling over the page. There's very little difference between my written identity and my real self.

To be honest, I probably would make a poor spy and an even worse superhero. Because I can't just change who I am at the drop of a hat. Unlike Clark Kent, if I slick back my hair and put on nerdy glasses, I'm still Gina...with my hair slicked back and nerdy glasses. A cape and thigh high red boots do not change my snarky sense of humor, my often too-large heart, and my love for kids and animals. (It might, however, improve my love life.) There is no brand name that will change who I am and how I see myself. This is probably why I'm not impressed with fancy homes, shoes that cost more than my first car, or purses with someone else's initials emblazoned all over the fabric. Issues that resonate with me when I'm sitting in my three-bedroom ranch house would mean just as much to me if I was a guest at a five-star resort in Tahiti. With me, what you see is what you get. For good or bad, richer or poorer, in sickness and in health.

If I call you "friend"--even if I only know you online, I value you as a friend. You can trust that I'm honest with you. I don't create an online persona that isn't clearly who I am in real life. I will not pepper my speech or posts with "facts" that are not true. I will not try to manipulate you into feeling something for me with lies or innuendo. I am me. And that's enough.

Which brings me back to my writing self. All of my characters--no matter how minor, no matter their gender--have something strongly indicative of me (a manner of speaking, a quirk, a favorite memory, etc.) built into their personalities. Okay, so I admit, I'm not 5'10" with long black hair and a killer body like one or two of my heroines, but I'm not talking about looks. I'm referring, of course, to soul. Soul: the wondrous bit of one's self that should be incorruptible, constant, and unique to each individual.

How much of your soul appears in your written work? Your online life? Or are you...perhaps...a spy? Inquiring minds want to know.

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posted by Gina Ardito aka Katherine Brandon at 7:18 PM | 7 comments